![]() The work is paired with three textile collages composed of 3D-printed pineapple cloth. Stephanie Comilang and Simon Speiser’s virtual reality installation Piña, Why is the Sky Blue? connects the matrilineal traditions of Ecuador and the Philippines through an imagined artificial intelligence named Piña. The pool forms part of the artist’s site-specific presentation of their ongoing series Siapo viliata o le atumotu, which includes the silk banners flowing down from the ceiling. They offer a vision of a possible future in which Indigenous concepts of time, space, pleasure and collective knowledge are reconciled. Artist Léuli Eshrāghi is reflected on its surface while their voice fills the room. In the centre of the space, a pool of sand acts as a point of welcome. Her research-based work engages with traditional textiles and digital maps to reflect on legacies of colonial displacement – themes which resonate with each of the artists on display. Stucturing the space, Hera Büyüktaşcıyan’s installation Reveries of an Underground Forest stands in three groups, making a home for other artworks works nested in between. It centres the restitution of land rights and preservation of pre-colonial ways of relating to the world around us. Discover artists exploring land rights and ancestral knowledge systems through textilesĮnmeshed, located in the East Tank, expands on the themes of ecology, ancestral ritual and cycles of time explored in A Clearing in the Forest.
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